ROAD - DAY 1 The TRACK is SILENT. Note: I changed the title from “Ava DuVernay’s “13th” And Documentary As Advocacy: Some Factual Issues.” on 10/12/2016 at 2:42 pm. If you’ve read a bit about the subject, then you can probably recite the chapters of that narrative yourself: Jim Crow, the Civil Rights movement, backlash, Richard Nixon, the War On Drugs, Ronald Reagan, the crack/cocaine sentencing disparity, Bill Clinton, the Crime Bill, “three strikes and you’re out”, etc.“The system of mass incarceration has grown, and sprawled and developed an appetite that is gobbling up people in communities of all colors. Notably, each of the interviewees is located in a location resembling an industrial setting and one that matches the themes of prison as a factory f free labor where the people of color act as slaves..Since the 1940’s, the curve of African-American prisoners has been rising steadily but steeply. Spencer Averick.
FRIDAY THE 13TH by Victor Miller & Ron Kurz FOR EDUCATIONAL PURPOSES ONLY. In this table, the total incarcerated population is given as 2,279,100 for 2010 and 2,224,400 for 2014 — again, a decrease rather than the huge increase shown in the movie’s chart. Still, for the movie itself to imply that the 1990s saw an increase in arrests, and for that basically to be the last word on the subject, is misleading.I can’t speak to why or how this is in “13th” and it could have been a simple mistake, but correcting it might have been difficult within the movie’s narrative. Les Misérablesby Andrew Davies. 2. A large portion of the movie is basically an engaging walk through a very standard narrative of mass incarceration. Movie Scripts by Genre. Go over to the part that says “incarcerated”. FADE IN: 1 EXT. In the film, a number of sensitive events could be noted. The CAMERA looks at a sign. It’s trying to argue that incarceration is part of a never-ending system of racial and social control. Again, none of those things exactly contradicts the theme of “13th”, but admitting them might have required a more nuanced and complicated film. The numbers which started rising during the Civil Rights Movements have continued to increase until the modern day. The perpetrator was a grieving mother, driven insane by the drowning of her child, Jason, whom she believed was neglected by the camp counselors. The film kicks off with s shocking statistics that one out of four Black men is likely to go to prison in his lifetime. I’m not sure a single white person is explicitly acknowledged to be in the criminal justice system (I think the main allusion is towards the end: Michelle Alexander says mass incarceration “is gobbling up people in communities of all colors” but this is only possible because “it began with a group of people defined by race”[2]).
[1]Far from “notching up” in the aftermath of the crime bill, the arrest rate has been falling and is now much lower than it was in 1980, before much of “mass incarceration”.
2. Acknowledging that estimated arrests per capita have been dropping, among African-Americans as well as overall, wouldn’t necessarily contradict that thesis but it might complicate it.These three factual issues gloss over that arrest rates have dropped enormously, that incarcerated populations have slightly declined, and that incarceration has gotten more Hispanic and/or White — three of the more important current trends in incarceration. Instead, whatever the intent, they seem glossed over.It looks like the usual graph, but…what the hell is that last dot? [1]Far from “notching up” in the aftermath of the crime bill, the arrest rate has been falling and is now much lower than it was in 1980, before much of “mass incarceration”. The one that suggests enormous prison population growth — the fastest prison population growth ever, by a lot — from 2010 to 2016? The documentary makes a very valid point that African-Americans can be over-represented in the media as criminals, but it falls into the same trap itself: African-Americans are about 36% of the incarcerated population but just about 100% of its representation and discussion of incarceration; non-Hispanic whites are about 38% of the incarcerated population but just about 0% of its discussion.Perhaps there’s some way you can interpret Cobb’s statement so it’s literally true (was he only talking about the next year or two and ignoring everything else?) An epic adaptation of Victor Hugo's classic novel in which an extraordinary cast of characters struggle to survive in war-torn France.
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